Friday, July 26, 2024

Nod

by Adrian Barnes
2012

One day, without explanation, everyone on Earth loses the ability to sleep. Everyone, that is, except a select few, perhaps one in a thousand, who still can recharge their bodies and minds. Paul, a writer of books on etymology, is one such lucky soul. Tanya, his girlfriend, is not. In a maximum of four weeks, the Awakened will die, their bodies and brains taxed to the maximum. But before that happens, civilization will collapse and millions of people who start to get very desperate, erratic, and insane. Paul finds that his latest, unpublished work, Nod, has fallen into the hands of a charismatic nutcase who leads a band of followers, and he tries to navigate a tricky line between placating the horde who see him as a prophet and saying the wrong thing and being martyred by madmen. And then there's the tricky problem of the children he wants to save...

This is a wonderfully eerie apocalyptic nightmare scenario. It's such a simple idea, but so open to horrible possibilities. A world of brainless zombies is one thing; a world of cunning, crazed, sleep-deprived iconoclasts, jealous and suspicious of your ability to sleep, is something rather more frightening. At least you know where you stand with zombies. The book is a quick read, with a taut, heavy atmosphere of dread, and depictions of real cruelty, leavened slightly by Paul's expounding on interesting old words and ruminations about what life, in the regular old world, was really about. Barnes isn't interested in "hard science fiction" ideas about what in reality cause such a doomsday scenario or why some might be unaffected; this is more in the way of speculative apocalyptic horror with an faintly optimistic outlook. Sadly, Barnes died of a rare cancer right after publishing this book, so we'll never know what other gems he might have written. 

four stars

Saturday, July 20, 2024

The Ministry of Time

by Kaliane Bradley
2024

In a near-future London, the protagonist (who is never named) takes on a government job about which she is told nothing. It turns out that the UK has discovered the secret of time travel (from the past to the future only), and our protagonist is hired to be a "bridge" to the present for her charge, a man from the Navy presumed dead in 1847. This is real-life Commander Graham Gore, who perished in the infamous Franklin expedition. Along with the other bridges and time-displaced persons she teaches her expat about such soul-shaking Spotify, the looser morals of the age, and the end of the British Empire. Gore takes it all calmly, considering, and soon he and the bridge (called "little cat" as a pet name by Gore) find themselves falling in love. But there are a lot of secrets that Little Cat is yet to discover about the Ministry; clearly, the government has an ulterior motive in using time travel, and soon she and Gore are in grave danger.

I enjoyed how the novel explores the consequences of defying history, and I loved the characters from diverse eras, especially the spunky 17th century farm girl and the quiet, guilt-ridden homosexual from 1916. Key themes include colonialism (the author is of Cambodian descent, and her characters have diverse backgrounds and perspectives), climate change, generational trauma, and complex identities, all handled with a mix of historical realism and humor. All good so far. However, I personally am not into romance novels at all, and this is easily a romance novel as much as a science fiction or speculative novel. I found this subplot frankly boring. Then, too, I am never patient with characters who don't see the obvious; when, for example, Little Cat hears about an obviously futuristic weapon in the Ministry, she dismisses it utterly as a mistake, despite the fact that, well, she just learned that time travel is possible, right? I felt as though the book never really got itself fully together; I liked how Gore adapted to the present, but the secrets and subplots that followed felt rushed and unsatisfying to me. The book was overlong, tedious in its pacing in some parts, and rushed in others. Alternating chapters which tell what happened to Gore in the past are not particularly interesting and have no bearing on how he acts or thinks in the present. And, as a minor gripe, the author relies way too much on metaphors, some rather silly. A good editor probably could have made this book more readable, but as it is, I was disappointed and often put it down out of boredom.