by Joe Ide
In South Central Los Angeles lives Isaiah Quintabe, a 26-year-old
African American man, whose brilliant mind justifies his
initial-nickname of IQ. After his beloved older brother was killed in a
hit and run, the young IQ drifted into illegal activities until he
realized he could use his computer-like mind to solve the problems of
people in his neighborhood, taking on cases the police won't or can't.
IQ has known, as his spiritual godfather Sherlock did, the temptation of
recreational drugs, and his understanding of the criminal mentality is
based on experience. (His involvement in crime was typically
idiosyncratic, stealing items like feline epilepsy strips with low
security but high resale value.) But all this comes in flashbacks.
Satisfyingly to us Sherlockians, the main plot line of this novel adapts
some elements of The Hound of the Baskervilles:
a superstar rapper, Calvin Wright, faces an attempted assassination by a
130-pound monster of a pit bull, who seems to have been bred by an
enemy for murderous purpose. IQ uses street-smarts, near-perfect recall,
and inductive reasoning to find answers to who is behind the threat.
IQ's sidekick Dodson fills a Watson-like role, in that he does his part
and is capable of providing backup in the form of a gun.
The
setting, the voice, and the characters are all high points of the novel.
Ide has a gift for sharp observations and memorable details (the
rapper's belongings include "a bundle of rolled-up antique Persian
prayer rugs from his two weeks as a practicing Muslim"), and the novel
is packed with lines that are funny without feeling as though they are
trying too hard to be funny. IQ feels grounded as a character,
fleshed-out with his own foibles and weak spots. The flashbacks showing
how he became who he is are often more compelling than the central
mystery. The mystery itself is solid. Ide lays out the clues fairly, and
the solution emerges logically rather than through arbitrary twists.
Watching IQ think is consistently entertaining. At times, however, the
novel stretches credibility. Some of Isaiah's movements through
particularly hostile environments feel easier and safer than they ought
to. As a non-black author, Joe Ide seems fairly oblivious to how
carefully a young black man must perforce maneuver through certain
white-dominated situations. I don't mean that IQ shouldn't be confident,
but these scenes in particular don't ring true. I also thought that a
few of the character interactions seem shaped more by the needs of the
plot, or even slapstick, than by reality. I enjoyed the novel's portrait
of a community, its exploration of grief and responsibility, and the
chemistry between IQ and the exasperating, scheming Dodson. This isn't a
brilliant book, but it's a novel take on an old trope, with an engaging
protagonist and an ending that promises more.
three stars
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