by James Michener
1947
Easily more than the sum of its parts, this collection of stories is an
eye-opening account of life in wartime: not the horrors of war (though
there’s a bit of that), but the waiting, the selfless heroism, the
bottled-up passion, the thankless endless toil, the vast logistics of a
campaign, the suddenness of death and loss and love. The omission of
this work from the academic canon is utterly incomprehensible to me;
it’s everything that All Quiet on the Western Front is said to be, and more. Michener is far more than a captivating
storyteller, collector of colorful characters, painter of vivid natural
imagery, and chronicler of the orchestrations of world warfare. Each of
the "tales" comprising his carefully-constructed epic narrative is at
once thematically and stylistically related to the other smaller
narratives and at the same time artistically whole in itself. While he
does have poetic phrases at his command, what he can say without saying
it – a subtly omitted word or a hint - is breathtaking.
Michener
impresses with his vast understanding of the scope of a military
operation, as in the chapter “Alligator” (the codename for a fictitious
invasion) – the planning, the estimated casualties, the men needed to
build, the men needed simply to replace pencils and paper for plans, and
on and on – and then he finishes with a few brief, poignant lines of a
man who wrote to a plain woman – “who would never be married in a
hundred years anyway” – a proposal: “You was very sweet to me and I want
to tell you if I…” “But he didn’t. Some don’t.” But, Michener says,
that letter plus the one from the chaplain was almost as good as being
married. That talent of Michener’s, the ability to juggle the big
picture with the little human details, the forgotten grunts, the KIA and
the faceless laborers, just blows me away. With every paragraph he
weaves a new story of heroism, or efficiency, or defiance, or laziness,
or lust, or bravery, or shame, and every character is all too human and
believable. It makes the climax of the book, the landing at the island
of Kuralei, all the more moving, as his narrator surveys the littered
beaches and mourns the dead. This book is quite simply a brilliant
masterpiece that should be read by every student of American history; it
may be fiction, but it shows more plainly how this was the “Greatest
Generation” without hagiography or needless embellishment. The did what
they were asked to do, and worked and died and complained and loved,
and they weren’t saints or perfect soldiers. They were Americans, is
all.
five stars
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